The Bad Bunny Super Bowl halftime performance, supposedly to cater to Latinos, not just in the states but beyond them into Latin America itself, drew lots of praise from those who didn't speak Spanish as being wholesome and all about family values. It can be viewed here.
Welp… https://t.co/Mrm0e4snu2
— Joe Concha (@JoeConchaTV) February 9, 2026
Here's a sampling of X responses from actual Latin Americans, and Latino Americans, for whom this nasty act supposedly catered, often using the typically blunt language of the region. Hit Grok Translate on the X site to see the English translation:
Bad Bunny no representa a la hispanidad.
— Alejandro Suárez Basso (@AlejandroSBasso) February 9, 2026
Bad Bunny representa la degeneración cultural de la hispanidad y de Occidente en general.
Compararlo con artistas hispanos que si son artistas, es un insulto a los demás.
"Bad Bunny left all Latinos looking like sex-crazed monkeys shaking their asses under a palm tree, he reinforced every single stereotype." https://t.co/lKCOaE9BkF
— Alberto Miguel Fernandez (@AlbertoMiguelF5) February 9, 2026
Mi problema con Bad Bunny no es musical. Es lo que representa y hace. Me cansa esa estética de victimización permanente envuelta en discurso woke que señala siempre al mismo enemigo cómodo y evita mirar donde realmente está el origen del desastre latinoamericano.
— Albert Fonse 💪🇺🇸🇨🇺 (@albertfonse11j) February 9, 2026
Criticar a ICE… pic.twitter.com/1UsdEERfFz
No nos vendan decadencia como identidad.
— Sara Huff (@TheSaraHuff) February 9, 2026
La cultura latina no se construyó sobre hipersexualización, vulgaridad ni promiscuidad celebrada como “libertad”. Nuestra herencia es familia, dignidad, trabajo, fe y respeto.
Reducirnos a ruido sexual y provocación constante no es… pic.twitter.com/L7UQ8ewoQF
El orgullo del sudaka por simplemente existir como “colectividad” –y en tierra extranjera, por lo demás– no me produce ninguna satisfacción. Simpatizo más con los anglos que resienten a este imbécil. https://t.co/oPJCha9QEp
— Ginés de Pasamonte (@TomCast27757620) February 9, 2026
El cono sur del continente no tiene nada que ver con esta cultura.
— Rodrigo Aguayo-Roco (@aguayo_roco) February 9, 2026
Nos meten en el mismo saco.
No somos lo mismo.
Aunque el psyop no es contra nosotros.
Es contra las mujeres.
Las controlan con la música y el buenismo.
El problema con Bad Bunny es la hipocresía. Se llena la boca contra EE. UU. porque eso vende rebeldía, pero enmudece frente a las dictaduras de Cuba, Nicaragua y Venezuela. Ni una palabra contra Maduro.
— Teresa Castell (@TeresaCastellMx) February 10, 2026
Ese “activismo” es cómodo y cobarde: grita donde no cuesta y se esconde… pic.twitter.com/XpRCDCJqo5
They didn't want their culture associated with it. They didn't even think it was authentic:
Bad Bunny does not live in Puerto Rico. He is a resident of Los Angeles, California . Puerto Rico no longer has sugar cane fields since the sixties .Nobody uses the jibaro straw hats . They are made in Mexico now. History has passed him by . He dreams of a Third World Puerto…
— MichaelCorona (@LcdoCorona) February 10, 2026
... and the language was indeed filthy, more Compton than Caguas:
A new loophole in regulations intended to prevent obscenity/indecency on the air? The NFL books a Spanish-language performer who sings sexually graphic lyrics on broadcast television and there may be no FCC fine because it was incomprehensible to the average viewer. From Grok: pic.twitter.com/2onbr6Gw1E
— Susan Shelley (@Susan_Shelley) February 9, 2026Advertisement
Unlike non-Spanish-speaking north Americans, Spanish-speaking Latin Americans actually heard the lyrics loud and clear, experiencing the show very differently from the candy-puff-minded wokesters in the press who declared it wholesome stuff.
Most said it represented a Hollywood-valued approach that had nothing to do with their own cultures, which have not experienced this sort of globalist cultural corruption, and who want no part of it. They resented being lumped in with this insulting, obscene, gibberish under the header 'Latino' whose values sure as heck don't represent them.
In addition, many didn't appreciate the subliterate use of the Spanish language, or, for that matter, the foul language:
Mexicans and Puerto Ricans couldn’t understand him either. 🤣 pic.twitter.com/IKUysyvFzx
— Wall Street Mav (@WallStreetMav) February 9, 2026
Native Spanish speaker here. Complaining about Bad Bunny singing in Spanish would make sense if he actually sang in Spanish. Bad Bunny sings in some retarded, mumbled bastardization of the language that he made up. Most Spanish speakers need a translator too.
— Bad Hombre (@Badhombre) February 9, 2026
A third problem for many Latin Americans and Latino Americans is Bad Bunny's Venezuelan Chavista roots, something they pay closer attention to in Latin America than in the U.S., given the threat it poses and the damage it's caused. They know this guy is a Chavista shill:
The Super Bowl Half Times show was brought to you by Venezuela's dictators. My friend Daniel is great here: "So, no, Bad Bunny is not a really good artist, he's a really bad guy supported by worse human rights violators."
— Mike Gonzalez (@Gundisalvus) February 10, 2026
Once again, Roger Goodell is an idiot. @nflcommish https://t.co/ujPxtMke7X
The man behind the rise of Bad Bunny's empire is Rafael Ricardo Jiménez Dan, a former captain in the Venezuelan army and a one-time official in Hugo Chávez's government.
— Tony Seruga (@TonySeruga) February 9, 2026
He graduated third in his class from the Venezuelan military academy in 1987.
In 2014, he provided a $2… https://t.co/8rc9HzG0Oi
The man Bad Bunny is hugging is this one, a friend and supporter of Hugo Chavez in Venezuela. https://t.co/ptutrNmUXi pic.twitter.com/yJn7DrRcpm
— Daniel Di Martino 🇺🇸🇻🇪 (@DanielDiMartino) February 9, 2026
So if the aim were to win over a Latino audience to the U.S. sport of football, which seems a stretch anyway given Latin America's love of soccer, it didn't work. Latin Americans heard it loud and clear and anecdotally, at least, declared it had no place in their culture.
This rubbish belongs to the commercialized global left.
No thanks -- and do check the voting patterns in the region for confirmation of the trend against these rotten values.
In Latin America, many detested that Bad Bunny performance - American Thinker